Painting Winter - Exploiting the Winter Landscape

| Next
                        Painting Winter
                    Exploiting the Winter Landscape

           oil painting by Claude Monet
                       The Magpie                                          Oil                                    Claude Monet
   Winter is a great time to paint outdoors in most places in this country, but one has to be  an outdoors person to appreciate this fact. Proper clothing is a must, but perhaps more important is the proper attitude toward the season. Embrace the winter as a bug-free opportunity to explore color and light, and consider these advantages.  

   On clear winter days, the light can be clean and strong, unaffected by the warm weather humidity that dissipates the luminance of the light in the summer. Because the sun is lower in the South, this produces interesting angular shadows all day long, even at midday, and good shadows are an indispensable ingredient for interesting paintings.

   Far from being depressing, cloudy-bright days are perfect for painting when a steady, even light source is useful, and makes our job much easier than chasing the light on a sunny day.

     Bierstadt painting of Yosemite    oil painting of Yosemite by Bierstadt
                 Cathedral Rocks Yosemite Winter                                 Winter in Yosemite Valley
                                                               Oils by Albert Bierstadt

     winter painting by Gaugin    Winter painting by Pissarro
           Winter Garden Under Snow          Gaugin              Entering the Forest of Marly         Pissarro
Winter's Visual Charms

                            photo of country road in winter by John Hulsey
                                   This is the scene as I found it—lots of potential yet to be realized.

                            oil painting of winter trees by John Hulsey
                                                This is how I envisioned the scene in my painting.
                                                Sea Oats I                         9 x 12"                     Oil                     

   Winter does not easily offer up her charms. We must work at it to discover what is fine about this landscape. Attitude is everything, and a vigilant eye can discover beauty where it hides in the most common of hours. Because the colors of winter are subtle and sublime, it can take some practice to educate the eye to their attractions. Here in the Midwest, the natural landscape is filled with a large variety of grasses, woody shrubs and saplings which all seem to cloak themselves in beautiful winter finery of golds and ambers, russets, reds and violets. As always, it is for the artist to find these lovely color relationships and heighten them into art.

photo of Sycamores at sunset by John Hulsey    While summer foliage can close us in and create a wall of green that feels oppressive at times, winter opens up those formerly shrouded views through the woods and fields, revealing new compositional possibilities. The interesting and often beautiful structures of the landscape are laid bare for the artist to reexamine. Bright sycamore and birch trunks stand out against their grayer cousins in beautiful relief, while the architecture of formerly hidden fence lines and hedge rows adds helpful sight-lines to our compositions.

    Snow on the ground creates beautiful shadows as well as unique reflected lights in the shadow areas not present in any other season. The novice thinks of snow as only white, but the experienced winter painter knows better. Look at all the color in Monet's Magpie painting above. He had learned to see the various subtle warm and cool tones in the snow and bring them out to wonderful effect. Learn to paint the many colors of snow and you will heighten your sensitivity to all colors everywhere in the landscape. We painted for ten years in the snowy Hudson Valley of New York, and grew to love the cheerful brightness and crisp days spent painting out in the sun.

                       oil painting of cows in snow by John Hulsey
                                           Snow Coming                    9 x 12"                 Oil                       

      photo of country road in winter by John Hulsey   oil painting of snowy country road by John hulsey
                       A possible painting subject                                       Winter Solstice      9 x 12"    Oil      

   There is a calming quiet to a snowy landscape that seems to promote inspiration and a feeling of well-being. When the temperatures get too low for fluid oil work, we switch over to pastels and never miss a beat. As long as one can find a bit of shelter, snowstorms are also a great opportunity to capture the moment and practice working with a limited, muted palette.

Revisit the Subject!

       photo of oak trees by John Hulsey   photo of oak trees by John Hulsey

   These two photos of the same double oak trees were taken just days apart in December. Notice how different the same subject can appear! It is a good practice to revisit favorite spots frequently for a fresh look at an old favorite. Just because we painted it once doesn't mean that we have taken advantage of all the possibilities that any subject offers. Even a rather mundane pair of trees can be brought to life by the searching eyes and inspired hands of the artist.

    oil painting of country road and shadows by John Hulsey    oil painting of country road and shadows by John Hulsey
                          Dawn Road                                                                Moonrise Road

   The two paintings above are good examples of the benefits of revisiting a good location often. The light at different times of day can radically affect the subject, of course, but different seasons can offer pictorial opportunities and surprises unimagined. The country road featured in the oils above is a favorite and we visit it often. Dawn Road is a late-summer morning subject with dramatic light which threw the landscape into temporary shadow. Moonrise Road is a winter vision, in which the last light of the setting sun is just grazing the landscape as the moon rises. By making frequent trips to check on my subject throughout the year and making note of potential moments to revisit, I was able to be in place painting on the day of the full moonrise—the only time during the year when the rising full moon lined up with the road, and when there would still be enough daylight to grace the scene.

A Word About Staying Warm...

photo of John Hulsey painting in winter
This is my typical insulated gear for winter painting. Rather than making an artistic statement, I wear a beret for its exceptional warmth and wind resistance. I wear four layers on top: mock turtle, chamois shirt, polar fleece pullover, and insulated jacket Ann made for me 25 years ago. It's still the warmest jacket I've ever found. I have a thermometer attached to the zipper to tell me when the temperatures are getting too low to paint.

I don't like to be cold, so I wear the warmest gear I can find. Years ago I discovered these lined jeans made by L.L.Bean, and my life outdoors became much more pleasant. Originally offered in flannel lining, they began making these polar fleece models as soon as that material was invented. I have been comfortable in these at temperatures as low as 0 degrees, and they last for years. 

photo of country road in winter by John Hulsey Along with a good pair of waterproof insulated boots, hand protection is very important. I have several types for different weather. Often a pair of fleece gloves does the trick in mild weather. Once it gets down to freezing and below, I switch to this two-layer arrangement. The bottom layer is a polyester glove which affords me a good brush feel, followed by rag wool gloves on top for warmth and water protection.

Getting the Winter Blues
Winter snow scenes are the time when we can really exploit all the possibilities of the colorful blues in the landscape. Look for them especially in the shadows cast on the snow and then play them up to good effect. Notice how they vary from cool cobalt blues, to ceruleans which carry some green, to the warmish ultramarines and violets.

         winter watercolor by John Hulsey     winter watercolor by John Hulsey 
                   Inner Light          5 x 7"           WC                      Snow Shadows          5 x 7"          WC

         winter watercolor by John Hulsey     winter watercolor by John Hulsey
               Fire and Ice           5 x 7"            WC                    Big Snow, Santa Fe        5 x 7"        WC

   These four watercolors were painted outdoors on location. Temperatures were just warm enough to allow me to execute these small studies, which are complete enough to serve as enlargements later on in the studio. Three of these were painted in the same week after a very unusual 27-inch snowfall near Santa Fe, N.M. The combination of heavy snow and bright New Mexico sunlight was an irresistible combination, and well worth the frozen fingers. I have painted this same scene for many years, but never like this before. It pays to be prepared for anything when we travel to paint.

                       winter watercolor by John Hulsey
                                    Acequia Madre                             20 x 30"                             WC

   This is another serendipitous composition in northern New Mexico. Ann and I were driving down a little highway toward Santa Fe and saw this beautiful scene just off the road. We stopped and made some small color studies in our sketchbooks and took some photos. Later I was able to enlarge one sketch into this studio piece. It is always a good practice to keep a vigilant eye when traveling and to remain willing to stop whenever inspiration strikes.

   We hope that these words and pictures will encourage you to try some winter painting excursions. We know you will find inspiration in it as we have done for many years.


Copyright Hulsey Trusty Designs, L.L.C. (except where noted). All rights reserved.
Become an Artist's Road Member Today!

The Artist's Road LogoClick here to become a Member and enjoy access to all the in-depth painting and travel articles, videos and tutorials. Guaranteed!

Search the Site

Not ready to become a Member yet? Subscribe to our free email postcards, "Perspectives". Enter your email address here.

The Artist's Road Store
A Primer on Night Painting - Nocturnes

Nocturnes - A Primer on Night Painting

Filled with inspirational examples by the masters of nightime painting, this little book is sure to fire up your creative energies. Never tried painting at night? We show you how it's done with a step-by-step-oil demo and a tale of night painting in the wilds of Rocky Mountain National Park. The Primer on Night Painting - Nocturnes is a 7 x 7" PDF download with 40 pages of text and images. It includes a gallery of paintings by masters of the nocturne, information to inspire and encourage you in your plein air nocturne painting, an illustrated step-by-step demo and tips for working in pastel and oil. Also available in a softcover edition. Check out the tools and other products that we use in our own art and travels in The Artist's Road Store. We only offer things for sale that we enthusiastically believe in.







About Us

Photograph of John Hulsey and Ann Trusty in Glacier National Park
We are artists, authors and teachers with over 40 years of experience in painting the world's beautiful places. We created The Artist's Road in order to share our knowledge and experiences with you, and create a community of like-minded individuals.  You can learn more about us and see our original paintings by clicking on the links below.
About Ann
     About John
 Hulsey Trusty Studios