Road to Giverny in Winter 1885 Claude Monet
Learn from the Voices of Experience
Discover what top artists like Albert Handell, Scott Burdick, Kim Lordier, James Gurney, Mary Pettis, Jim McVicker and many more have to say about their work and lives as artists in our regular Voices of Experience feature by subscribing now.
Having spent a lifetime exploring and finding purpose and fulfillment through art, we decided to build this ad-free art and painting website to inspire you in your creative life. Much of the important content (over 850 articles) you'll find here is Instructional—often illustrated by videos, slide shows and Step-by-Step Demonstrations in oil, watercolor and pastel. As a Member, you'll also find in-depth educational articles, art travel information and Voices of Experience interviews with top-flight artists.
Enjoy the free content. We believe that you will find value and inspiration in it. If you do, please consider joining as a member now to access all the members-only In-Depth Articles and to add your valuable support to this important effort. And don't forget, members receive discounts on many of the useful products, downloads, books and gifts in our Store.
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"Together, John and Ann have decades of experience to share in watercolor, pastel, and oil painting, and they are some of the savviest, committed plein-air painters I’ve come across. Their expertise makes The Artist’s Road a one-of-a-kind resource and Artist Daily is lucky to have them as contributing writers to our Plein Air blog".
Courtney Jordan, Former Editor, Artist Daily
Red Rhododendrons Floating in the Blue
Jim McVicker: A Master's Process with H. Friedland and G. Van Hook
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Here is an example of one of our free "Perspectives" email postcards -
The visual artist who works with color has a tall, but very interesting mountain to climb. We start by intuitively playing with colors as children. Our choices are free and somewhat arbitrary. Fun. Our senses are not well-developed to perceive subtleties in shades or values at first, and so we paint that way. As we grow, our innate sensitivity to all things visual grows and our appreciation of the vast world of color begins to develop. The more we look, the more we tend to see. The more paintings made, the greater the proficiency and sensitivity to color. It is a positive feedback loop which is never-ending.
There are two ways to learn about colors and color mixing—trial and error, or the science of color theory. Ann and I both had the good fortune to have taken color theory classes in art school. They provided a solid theoretical foundation for the work of mixing paint that was to come. Color theory provides a framework, based on the color wheel, for understanding color, color temperature, harmonies, complementaries and all the various color relationships and combinations which can be made. It is the starting point for experimenting purposefully with color and using it deliberately to create an effect.
Although color theory is a very valuable way to understand color, one can also learn all about the colors on the palette by methodically cross-mixing each color together in a grid, as Richard Schmid recommends and demonstrates in his iconic book, Alla Prima: Everything I Know About Painting. By the time one has done this laborious exercise, one will know for certain how to make any color out of any other color on your particular palette. It may seem like a tedious way to go, but it works, and the lesson will never be forgotten.
As a young painter, I didn’t want to do exercises—I wanted to paint. After a while, though, I realized that I was often guessing about color relationships and doing a lot of re-painting. That’s when I started to collect books about painting and color. In addition to the Schmid books, one of my favorites is the late Ted Goerschner’s Oil Painting: The Workshop Experience. Goerschner’s painting style was bright and impressionistic, but based on solid color theory. In this terrific book, Ted showed us how he arranged his special palette of colors and worked through some basic color wheel relationships in easy-to-understand demonstrations. Ted also developed his own colorful grays which he mixed up each time he laid out his palette. He knew by heart how each of his grays combined with his other tube colors to create a wide range of colorful neutrals which made up the largest masses in his paintings. The entire book is a delightful education in advanced color use.
Stay Inspired! Sign up today to receive your copy of Perspectives, our free email postcard. We always write thoughtful articles about art, art-making, artists's lives and everything in between.
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The Artist's Road Store
Filled with inspirational examples by the masters of nightime painting, this little book is sure to fire up your creative energies. Never tried painting at night? We show you how it's done with a step-by-step-oil demo and a tale of night painting in the wilds of Rocky Mountain National Park. The Primer on Night Painting - Nocturnes is a 7 x 7" PDF download with 40 pages of text and images. It includes a gallery of paintings by masters of the nocturne, information to inspire and encourage you in your plein air nocturne painting, an illustrated step-by-step demo and tips for working in pastel and oil. Also available in a softcover edition. Check out the tools and other products that we use in our own art and travels in The Artist's Road Store. We only offer things for sale that we enthusiastically believe in.