Hemlock Pool ca. 1894 John Twachtman Learn from the Voices of Experience
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Click Click We believe that more artists in the world is a good thing. "Together, John and Ann have decades of experience to share in watercolor, pastel, and oil painting, and they are some of the savviest, committed plein-air painters I’ve come across. Their expertise makes The Artist’s Road a one-of-a-kind resource and Artist Daily is lucky to have them as contributing writers to our Plein Air blog". Courtney Jordan, Former Editor, Artist Daily "I consider my membership one of the best investments I have ever made. I LOVE it!!!" - Joanne K. "I love your Artist's Road site better than ANY other fine art site I have ever seen! I especially love the education, demonstrations with various media, just so many wonderful informative articles. I thank you both for making it so interesting, allowing us to be more creative." - Diane S. Here is an example of one of our free "Perspectives" email postcards - Color Mixing The visual artist who works with color has a tall, but very interesting mountain to climb. We start by intuitively playing with colors as children. Our choices are free and somewhat arbitrary. Fun. Our senses are not well-developed to perceive subtleties in shades or values at first, and so we paint that way. As we grow, our innate sensitivity to all things visual grows and our appreciation of the vast world of color begins to develop. The more we look, the more we tend to see. The more paintings made, the greater the proficiency and sensitivity to color. It is a positive feedback loop which is never-ending. There are two ways to learn about colors and color mixing—trial and error, or the science of color theory. Ann and I both had the good fortune to have taken color theory classes in art school. They provided a solid theoretical foundation for the work of mixing paint that was to come. Color theory provides a framework, based on the color wheel, for understanding color, color temperature, harmonies, complementaries and all the various color relationships and combinations which can be made. It is the starting point for experimenting purposefully with color and using it deliberately to create an effect. Although color theory is a very valuable way to understand color, one can also learn all about the colors on the palette by methodically cross-mixing each color together in a grid, as Richard Schmid recommends and demonstrates in his iconic book, Alla Prima: Everything I Know About Painting. By the time one has done this laborious exercise, one will know for certain how to make any color out of any other color on your particular palette. It may seem like a tedious way to go, but it works, and the lesson will never be forgotten. As a young painter, I didn’t want to do exercises—I wanted to paint. After a while, though, I realized that I was often guessing about color relationships and doing a lot of re-painting. That’s when I started to collect books about painting and color. In addition to the Schmid books, one of my favorites is the late Ted Goerschner’s Oil Painting: The Workshop Experience. Goerschner’s painting style was bright and impressionistic, but based on solid color theory. In this terrific book, Ted showed us how he arranged his special palette of colors and worked through some basic color wheel relationships in easy-to-understand demonstrations. Ted also developed his own colorful grays which he mixed up each time he laid out his palette. He knew by heart how each of his grays combined with his other tube colors to create a wide range of colorful neutrals which made up the largest masses in his paintings. The entire book is a delightful education in advanced color use. Stay Inspired! Sign up today to receive your copy of Perspectives, our free email postcard. We always write thoughtful articles about art, art-making, artists's lives and everything in between.
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Member ContentFree ContentThe Artist's Road StoreNocturnes - A Primer on Night Painting Filled with inspirational examples by the masters of nightime painting, this little book is sure to fire up your creative energies. Never tried painting at night? We show you how it's done with a step-by-step-oil demo and a tale of night painting in the wilds of Rocky Mountain National Park. The Primer on Night Painting - Nocturnes is a 7 x 7" PDF download with 40 pages of text and images. It includes a gallery of paintings by masters of the nocturne, information to inspire and encourage you in your plein air nocturne painting, an illustrated step-by-step demo and tips for working in pastel and oil. Also available in a softcover edition. Check out the tools and other products that we use in our own art and travels in The Artist's Road Store. We only offer things for sale that we enthusiastically believe in.
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