Diamonds in Our Own Backyards
Perspectives No. 119
Winter Thaw Oil Hulsey W e used to think that winter was a season of comparative rest, with an easier pace to our workdays since there is no work to be done in the yard. But as we’ve gotten older, the pace of work in the winter has increased exponentially, in part because we travel so much at other times of the year, in part because we have taken on many more commitments than ever before. All of this eats into one’s precious painting time. Perhaps some of you have noticed the same thing happening in your lives? Which brings us to the subject of carving out time for painting. On these very full days I find it difficult to get interested in driving around looking for a good painting spot. Time spent scouting is time I could be painting at my easel! My solution is to look directly around me for a subject which I might be able to make into a decent painting. It helps to have had some experience painting outdoors, just as it helps to have a good eye for composition. But over the years I have come to understand that it isn’t the place that makes an inspired work of art. It is what we bring to the process that counts. Since we artists are creators, not duplicators, we can figuratively move heaven and earth to make our pictures work. Bring a tree over, eliminate the phone pole, add an interesting figure or create all new colors if need be. The power to make a sow’s ear into a silk purse lies in our vision and our hands, and that power is at the root of all great art. That’s why we talk about “diamonds in our own backyards” when we teach. We start where we are, and then move outward from there. Living in a landscape which, generally speaking, has not much entertainment value compared to a Colorado or California, for instance, we have had to develop a knack for finding the extraordinary in the seemingly mundane. No snow-capped mountains reflected in turquoise lakes here, just Nature’s subtly beautiful hand at work. We are grateful for this, because it makes us ask deeper questions about what it is we are trying to say with our art. And deeper questions often result in better paintings. Lessons learned in our own backyard are perhaps the best lessons, because they change the way we look at the larger world. Enjoy some winter inspiration with a slide show of some of our favorite winter paintings by the masters - Twachtman, Crane, Bierstadt, Kandinsky, Courbet, Bilibin, Pissarro, Hassam, Bodmer, Gauguin, Volkov, Wyant, Pissarro, van Gogh, Korovin, Monet, Seurat, Sisley, Rousseau and Metcalf.
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On these very full days I find it difficult to get interested in driving around looking for a good painting spot nearby. Time spent scouting is time I could be painting at my easel! My solution is to look directly around me for a subject which I might be able to make into a decent painting. It helps to have had some experience painting outdoors, just as it helps to have a good eye for composition. But over the years I have come to understand that it isn’t the place that makes an inspired work of art, it is what we bring to the process that counts.